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Glocal bodies : dancers in exile and politics of place: a critical study of contemporary Iranian dance / Elaheh Hatami.

Av: Hatami, Elaheh [aut]Language: English Series: Critical dance studies ; 62Publisher: Bielefeld : Transcript Verlag, [2022]Copyright date: ©2022Beskrivning: 199 sidor illustrationerInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9783837660807Ämne(n): Modern dans | Kvinnliga dansare | Exil | Dans -- politiska aspekter | IranGenre/Form: AvhandlingarDDK-klassifikation: 793.31955 SAB-klssifikation: Iky | Iky:oa
Anmärkning:
Innehåller bibliografiska referenser
Anmärkning bestånd: C17.944 Libris-ID: m3221071k339sqb7Dissertation note: Diss. Berlin: Freie Universität, 2021 Summary: This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile - not only in a physical sense, but also in the metaphorical sense of "exile" implying foreignness, exclusion, and marginalization
List(s) this item appears in: Danslitteratur 2023
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Book Musik- och teaterbiblioteket
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C17.944 Available 26201877136
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Innehåller bibliografiska referenser

Diss. Berlin: Freie Universität, 2021

This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile - not only in a physical sense, but also in the metaphorical sense of "exile" implying foreignness, exclusion, and marginalization

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