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_a1501383205 _qPaperback |
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_aMaking it heard : _ba history of Brazilian sound art / _cedited by Rui Chaves and Fernando Iazzetta. |
250 | _aPaperback edition | ||
264 | 1 |
_aNew York : _bBloomsbury Academic, _c2021 |
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300 |
_axviii, 274 pages _billustrations _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aSound studies | |
504 | _aIncludes bibliographical references and index | ||
505 | 8 | _aForeword: The Clash between Body and Artwork (Ricardo Basbaum, Fluminense Federal University, Brazil) -- Introduction (Rui Chaves and Fernando Iazzetta, University of Sao Paulo, Brazil) -- Part One: Abre-Alas. Sounds from Elsewhere: Episodes for a History of Brazilian Sound Art (Fernando Iazzetta, University of Sao Paulo, Brazil) -- Making Oneself Heard in Public, through Art and in Sound-Based Scholarship (Rui Chaves, University of Sao Paulo, Brazil) -- Part Two: Bateria. Music Is What I Make (Vivian Caccuri, Federal University of Rio de Janeiro, Brazil) -- Radio Art, Cassette Culture, and Networked Artistic Practices: The International Ra(u)dio Art Show (IRAS) in Recife (Yuri Bruscky, Federal University of Pernambuco, Brazil) -- Part Three: Barracão. Gambiarra's Perspective (Giuliano Obici, Fluminense Federal University, Brazil) -- Listening to the Debris: Brazilian Sound Art and the Low-Technology Economy (Andre Damiao, University of Sao Paulo, Brazil) -- Part Four: Avenida. Being in the Field: Process, Narrativity, and Discovery in the Field-Recording Work of Thelmo Cristovam and Alexandre Fenerich (Paulo Dantas, Federal University of the State of Rio de Janeiro, Brazil) -- Other Paths to Sonic Cartographies: "Mapa Sonoro CWB" and Its Untethered Soundwalks (Thais Aragao, Federal University of Ceara, Brazil) -- Part Five: Batucada. Out of the Mainstream: Noise and Otherness in the Work of Marie Carangi, Paula Garcia, and Sofia Caesar (Lilian Campesato, University of Sao Paulo, Brazil) -- Counter-Tradition: Toward the Black Vanguard of Contemporary Brazil (GG Albuquerque, Federal University of Pernambuco, Brazil) -- Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis (Tania Mello Neiva, Federal University of Paraiba, Brazil) -- Afterword: The Audibility of Brazilian Sound Art (Ana M. Ochoa Gautier, Columbia University, USA) | |
520 | _a"From the mid-20th century to the present, the Brazilian cultural scene and its art, literature, and music has been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, radio, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chavez and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework"--Provided by publisher. | ||
599 | _aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove) | ||
648 | 7 |
_a1900-2099 _2fast |
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_aLjudkonst _0https://id.kb.se/term/sao/Ljudkonst _2sao |
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_aElektronisk musik _0https://id.kb.se/term/sao/Elektronisk%20musik _2sao |
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650 | 0 | _aSound in art | |
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_aArts, Brazilian _y20th century _xThemes, motives |
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_aArts, Brazilian _y21st century _xThemes, motives |
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_aArt and music _zBrazil |
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_aSound installations (Art) _zBrazil |
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_aMusic _zBrazil _y21st century _xHistory and criticism. |
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_aMusic _zBrazil _y20th century _xHistory and criticism |
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_aCriticism, interpretation, etc. _2fast |
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_aChaves, Rui _4edt |
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_aIazzetta, Fernando _4edt |
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830 | 0 | _aSound studies | |
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