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Popular musicology and identity : essays in honour of Stan Hawkins / edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman.

Medverkande:

text

Medietyp:

unmediated

Bärartyp:

volume

ISBN:

9781138322882

Ämne:

DDK-klassifikation:

780.721 23/swe

Innehåll:

The British dandy on the popular musical stage (1866-1915) / Derek B. Scott -- 'She Said She Said': the influence of feminine 'voices' on John Lennon's music / Matthew Bannister and Megan Rogerson-Berry -- The classical closet / Susan McClary -- Perfect duet? Paradoxes of gender representation and mixed-gender collaborations on the Billboard charts from 1955 to 2017 / Barbara Bradby -- The pleasure(s) of the pop text Subversion and theatricality in Cloroform and Tove Lo / Jon Mikkel Broch Ålvik -- 'Everyone is a little bit gay': LGBTIQ activism in Finnish pop music of the 21st century / Susanna Välimäki -- 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream / Anne Danielsen -- Global success, identitarian performance, and Canadian popular music / Will Straw -- 'Very' British: a pop musicological approach to the Pet Shop Boys' 'Always on My Mind / Shara Rambarran -- Pulp: a paradigm for perversion in pornosonic pop / Kenneth Smith -- Regina Spektor's Small Bill$: the cute and the manic-zany as body-political strategies / John Richardson and Anna-Elena Pääkkölä -- Masculinity and the illness narrative in Pain of Salvation's In the Passing Light of Day / Lori Burns.

Sammanfattning: "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- Provided by publisher.

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Exemplartyp	Aktuellt bibliotek	Hyllsignatur	Del av materialet som avses	Status	Förfallodatum	Streckkod	Exemplarreservationer
Bok	Musik- och teaterbiblioteket Magasin A	B33.332		Tillgänglig		26201868041

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"Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- Provided by publisher.

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