The virtuoso conductors : the Central European tradition from Wagner to Karajan / Raymond Holden.

Av: Språk: Engelska Utgivning: New Haven : Yale University Press, cop. 2005Beskrivning: 370 s. illISBN:
  • 0300093268
Ämne: DDK-klassifikation:
  • 781.45 22 (machine generated)
SAB-klassifikation:
  • Ijaf
Sammanfattning: While Weber, Spohr, Mendelssohn and Berlioz were all conductors of repute, it was the thoughts and practices of Richard Wagner that laid the foundation for the modern virtuoso conductor. Wagner's experience as a conductor brought a set of practices and principles that affected the interpretations of future generations, and conductors continue to pursue his example today. This book examines Wagner's conducting career and the principles of his musical performance. It then tracks the central European style through some of the greatest figures of modern music - Nikisch, Malher, Richard Strauss, Weingartner, Furtwängler, Toscanini, Walter, Klemperer, Beecham, Boult and others through to von Karajan, Bernstein and George Szell. In each case Holden, himself a professional classical conductor, traces their rise from apprenticeship to international acclaim, comparing rehearsal technique, the baton, eye contact, repertoire, tempo, recordings, vision, style and performance practice.
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Innehåller bibliografi

While Weber, Spohr, Mendelssohn and Berlioz were all conductors of repute, it was the thoughts and practices of Richard Wagner that laid the foundation for the modern virtuoso conductor. Wagner's experience as a conductor brought a set of practices and principles that affected the interpretations of future generations, and conductors continue to pursue his example today. This book examines Wagner's conducting career and the principles of his musical performance. It then tracks the central European style through some of the greatest figures of modern music - Nikisch, Malher, Richard Strauss, Weingartner, Furtwängler, Toscanini, Walter, Klemperer, Beecham, Boult and others through to von Karajan, Bernstein and George Szell. In each case Holden, himself a professional classical conductor, traces their rise from apprenticeship to international acclaim, comparing rehearsal technique, the baton, eye contact, repertoire, tempo, recordings, vision, style and performance practice.

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