Early modern tragedy, gender and performance, 1984-2000 : the destined livery / Roberta Barker.

Av: Språk: Engelska Utgivning: Basingstoke [England] ; New York : Palgrave Macmillan, 2007Beskrivning: xii, 237 p. ill. 23 cmISBN:
  • 140399479X
  • 9781403994790
Ämne: DDK-klassifikation:
  • 822/.9109 22
LC-klassifikation:
  • PR658.T7
SAB-klassifikation:
  • Ik:ohj.41
  • Ik:ohj.6
  • Ge.02
Onlineresurser:
Innehåll:
Introduction : the destined livery? : tragedy, performance, subject and spectator -- Part I. Realism and reinscription -- What we are, but not what we may be : the feminist Ophelia and the (re)production of gender -- An actor in the main of all : individual and relational selves in The Duchess of Malfi -- The natural father and the imaginary daughter : patriarchy as realism and representation in Titus -- Part II. Performance and performativity -- "Let me forget myself" : what a queen is good for in Edward II -- Death and the married maiden : gender reproduction as destruction in The broken heart -- Tricked like a bride : a new traffic in A woman killed with kindness -- Conclusion : cultural drag; or, Hamlet and Ophelia redux.
Innehåller avsnitt om Titus Andronicus (William Shakespeare) -- The broken heat (Stratford upon Avon,Michael Boyd, 1994) --A woman killed with kindness (Straford upon Avon, Katie Mitchell, 1991)
Bestånd
Exemplartyp Aktuellt bibliotek Hyllsignatur Del av materialet som avses Ex.nummer Status Förfallodatum Streckkod Exemplarreservationer
Bok Musik- och teaterbiblioteket Magasin A C11.213 1 Tillgänglig 26201822183
Antal reservationer: 0

Includes bibliographical references (p. 208-229) and index.

Introduction : the destined livery? : tragedy, performance, subject and spectator -- Part I. Realism and reinscription -- What we are, but not what we may be : the feminist Ophelia and the (re)production of gender -- An actor in the main of all : individual and relational selves in The Duchess of Malfi -- The natural father and the imaginary daughter : patriarchy as realism and representation in Titus -- Part II. Performance and performativity -- "Let me forget myself" : what a queen is good for in Edward II -- Death and the married maiden : gender reproduction as destruction in The broken heart -- Tricked like a bride : a new traffic in A woman killed with kindness -- Conclusion : cultural drag; or, Hamlet and Ophelia redux.

Innehåller avsnitt om Titus Andronicus (William Shakespeare) -- The broken heat (Stratford upon Avon,Michael Boyd, 1994) --A woman killed with kindness (Straford upon Avon, Katie Mitchell, 1991)

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