Some liked it hot : jazz women in film and television, 1928-1959 / Kristin A. McGee.
Språk: Engelska Serie: Utgivning: Middletown, Conn. Wesleyan University Press, cop. 2009Beskrivning: xv, 316 s. ill. 24 cmISBN:- 9780819569080
- 9780819569073
- 0819569070
- 0819569089
- Jazz i filmen
- Women jazz musicians in motion pictures
- Big bands in motion pictures
- Jazz in motion pictures
- Television broadcasting of music
- Motion pictures -- United States -- History -- 20th century
- Variety shows (Television programs) -- United States
- Film
- Musik
- Jazz på film
- Kvinnor och jazz
- Musiker -- jazz -- historia -- Förenta staterna -- 1900-talet
- Jazzmusiker -- genusaspekter -- Förenta staterna
- Kvinnliga musiker -- historia -- Förenta staterna -- 1928-1959
- 791.436578 22
- PN1995.9.J38
- F751.7
- Ijxc
- Imbak-qa
| Exemplartyp | Aktuellt bibliotek | Avdelning | Hyllsignatur | Del av materialet som avses | Ex.nummer | Status | Förfallodatum | Streckkod | Exemplarreservationer | |
|---|---|---|---|---|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Svenskt visarkiv referens | Svenskt visarkiv | SVA, D23:8-9 (Westin-biblioteket, står på accnr) (accnr 30665) | 10 | Tillgänglig | XrefV1392821 |
Bibliografi (s. 275-298), index
Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences)