Local music scenes and globalization : transnational platforms in Beirut / Thomas Burkhalter
Serie: Routledge studies in ethnomusicology ; 3Utgivning: New York : Routledge, 2013Beskrivning: xiv, 303 pages : illustrations ; 24 cmISBN:- 978-0-415-80813-2
- Music and globalization -- Lebanon
- Music and transnationalism -- Lebanon
- Popular music -- Social aspects -- Lebanon -- Beirut
- Popular music -- Political aspects -- Lebanon -- Beirut
- Music -- Lebanon -- Beirut -- 20th century -- History and criticism
- Popular music -- Lebanon -- Beirut -- History and criticism
- Populärmusik -- Politiska aspekter
- Musik och samhälle
- Libanon -- Beirut
- 780.956925 23
- 780.95692/5 23
- ML3917.L43 B87 2013
- Ij:oa
- Ijxp
| Exemplartyp | Aktuellt bibliotek | Hyllsignatur | Del av materialet som avses | Ex.nummer | Status | Förfallodatum | Streckkod | Exemplarreservationer | |
|---|---|---|---|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Magasin A | B29.903 | 1 | Tillgänglig | 26201861571 |
Includes bibliographical references (pages 269-281), discography (pages 283-285), and index.
Part I: Theory and methodology: music making in a digitalized world: 1. Globalization and digitalization in music ; 2. Theoretical frame ; 3. Methodological approach -- Part II: Ethnography: musicians from Beirut born during the Lebanese civil war: 4. Experimental music ; 5. Metal music and classic rock ; 6. Urban music ; 7. Rap ; 8. Transnational networks (human hubs) ; 9. Music as a media product ; 10. Musicians as actors -- Part III: Analysis: six key tracks from Beirut: 11. Zeid Hamdan: "Aranis" (remixed) ; 12. Garo Gdanian: "Remains of a bloodbath" ; 13. Mazen Kerbaj: "Blblb flblb," ZRRRT," "PIIIIIIIIIIII", "Taga of Daga" ; 14. Raed Yassin: "Civil war tapes" ; 15. Charbel Haber: "Track 5" : 16. Rayess Bek: "Schizophrenia" -- Part IV: History: Music and noise in Lebanon from the past and present: 17. Ground setting: the urbanization and Europeanization of music in the Arab world ; 18. Modern music from Cairo, old music from Aleppo ; 19. European music and Christian hymns in Beirut (1926-1948) ; 20. The creation of a Lebanese music (1948-1967) ; 21. Nasserism versus tourism (1952-1967) ; 22. The rise of dissident culture and alternative music (1968-1975) ; 23. Bombs, protest, propaganda and rock music from the Lebanese civil war (1975-1990) ; 24. Pan-Arabic pop and the 2006 war -- Part V: Meaning: reading Lebanese music making from different perspectives: 25. Historical perspectives ; 26. Sociopolitical perspectives ; 27. Geopolitical perspectives ; 28. Psychological perspectives ; 29. Aesthetical perspectives ; 30. Euro-American perspectives
Dawson