Opera indigene : re/presenting First Nations and indigenous cultures / edited by Pamela Karantonis and Dylan Robinson.

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Introduction, Pamela Karantonis and Dylan Robinson -- Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential: Orpheus conquistador, Nicholas Till ; Decentering opera: early 21st-century indigenous production, Beverley Diamond ; "Singing from the margins": postcolonial themes in Voss and Waiting for the Barbarians, Michael Halliwell ; Performativity, mimesis and indigenous opera, Pamela Karantonis -- Part II Australian Perspectives: "To didj or not to didj": exploring indigenous representation in Australian music theatre works by Margaret Sutherland and Andrew Schultz, Anne Boyd ; Giving voice to the un-voiced "Witch" and the "Heart of nothingness: Moya Henderson's Lindy, Linda Kouvaras ; The Eighth Wonder: explorations of place and voice, Anne Power -- Part III Indianism in the Americas: Indianismo in Brazilian romantic opera: shifting ideologies of national foundation, Maria Alice Volpe ; Native songs, Indianist styles, and the process of music idealization, Tara Browner ; Composed and produced in the American West, 1912-1913: two operatic portrayals of First Nations cultures, Catherine Parsons Smith -- Part IV Canadian Perspectives: Assimilation, integration and individuation: the evolution of First Nations musical citizenship in Canadian opera, Mary I. Ingraham ; "Too much white man in it": aesthetic colonization in Tzinquaw, Alison Greene ; Peaceful surface, monstrous depths: Barbara Pentland and Dorothy Livesay's The Lake, Dylan Robinson ; The politics of genre: exposing historical tensions in Harry Somers' Louis Riel, Coleen L. Renihan -- Part V New Creation and Collaborative Processes: Creating Pimooteewin, Robin Elliott ; After McPhee: Evan Ziporyn's A House in Bali, Victoria Vaughan ; West coast First Peoples and The Magic Flute: Tracing the journey of a cross cultural collaboration, Robin McQueen interviewed by Dylan Robinson, with responses by Cathi Charles Wherry and Tracey Herbert, Lorna Williams, and Marion Newman ; Pecan Summer: The porcess of making new indigenous opera in Australia, Deborah Cheetham and Daniel Browning, interviewed by Pamela Karantonis