Musicology : the key concepts / David Beard and Kenneth Gloag.

Includes bibliographical references (pages 262-336) and index.

Absolute -- Aesthetics -- Alterity -- Analysis -- Authenticity -- Autobiography -- Autonomy -- Avant-garde -- Biography (life and work) -- Body -- Canon -- Class -- Cold War -- Confict (music and conflict) -- Consciousness --Cover version -- Creativity -- Critical musicology -- Critical theory -- Criticism -- Cultural studies -- Culture -- Culture industry -- Decadence -- Deconstruction -- Diegetic/nondiegetic -- Disability -- Discourse -- Ecomusicology -- Emotion -- Enlightenment -- Ethics (msuic and ethics) -- Ethnicity -- Feminism -- Film music -- Form -- Formalism -- Gay musicology -- Gender -- Genius -- Genre -- Gesture -- Globalization -- Hermeneutics -- Historical musicology -- Historicism -- Historiography -- Hybridity -- Identity -- Ideology -- Influence -- Interpretation -- Intertextuality -- Jazz -- Landscape -- Language -- Lateness (late works/late style) -- Listening -- Marxism -- Meaning -- Metaphor -- Modernism -- Narrative -- Nationalism -- New musicology -- 9/11 -- Organicism -- Orientalism -- Performance -- Periodization -- Place -- Politics (music and politics) -- Popular music -- Popular musicology -- Postivism -- Post-colonial/postcolonialism -- Postmodernism -- Post-structuralism -- Psychology -- Race -- Reception -- Recording -- Renaissance -- Romanticism -- Semiotics -- Sketch -- Sound/soundscape/sound studies -- Stance -- Structuralism -- Style -- Subject position -- Subjectivity -- Sublime -- Theory -- Tradition -- Value -- Work.

Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)