British radio drama, 1945-63 / Hugh Chignell.

Av: Språk: Engelska Utgivning: New York : Bloomsbury Academic, 2021Beskrivning: ix, 185 sidorInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781501377228
Ämne: DDK-klassifikation:
  • 809.222 23/swe
Onlineresurser:
Innehåll:
Innehåll: Post-war Britain -- The post-war BBC radio drama department -- Radio drama 1945-53 -- Technologies of production and consumption -- Radio drama and the absurd -- Giles Cooper -- Features department dramatists -- Realist radio drama -- The 1960s
Sammanfattning: British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC’s history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre
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Innehåller bibliografiska referenser och index

Innehåll: Post-war Britain -- The post-war BBC radio drama department -- Radio drama 1945-53 -- Technologies of production and consumption -- Radio drama and the absurd -- Giles Cooper -- Features department dramatists -- Realist radio drama -- The 1960s

British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC’s history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre

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