Poetry and music in medieval France : from Jean Renart to Guillaume de Machaut / Ardis Butterfield
Serie: Cambridge studies in medieval literature ; 49Utgivning: Cambridge : Cambridge University Press, 2002Beskrivning: xx, 375 s. : illISBN:- 0-521-62219-0
- 978-0-521-10092-2 (pbk)
- 841.1 22
- Gj.3
- Ijb-j.3
- Ijqca-j
- Gj.03
| Exemplartyp | Aktuellt bibliotek | Hyllsignatur | Del av materialet som avses | Ex.nummer | Status | Förfallodatum | Streckkod | Exemplarreservationer | |
|---|---|---|---|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Magasin A | B24.110 | 1 | Tillgänglig | 26201073563 |
Tillgänglig som pbk ed. 2008
Prologue ; Part I. Text and performance: 1. Song and written record in the early thirteenth century ; 2. The sources of song : chansonniers, narratives, dance-song ; 3. The performance of song in Jean Renart's Rose ; Part II. The boundaries of genre : 4. The refrain ; 5. Refrains in context : a case study; 6. Contrafacta : from secular to sacred in Gautier de Coinci and later thirteenth-century writing ; Part III. The location of culture: 7. 'Courtly' and 'popular' in the thirteenth century ; 8. Urban culture : Arras and the puys ; 9. The cultural contexts of Adam de la Halle ; Part IV. Modes of inscription: 10. Songs in writing : the evidence of the manuscripts ; 11. Chante/fable : Aucassin et Nicolette ; 12. Writing music, writing poetry : Le Roman de Fauvel in Paris BN fr. 146 ;Part V: Lyric and narrative: 13. The two Roses : Machaut and the thirteenth century ; 14. Rewriting song : chanson, motet, salut, and dit : 15. Citation and authorship from the thirteenth to the fourteenth century ; Part VI. Envoy: The new art : 16. The formes fixes : from Adam de la Halle to Guillaume de Machaut ; Epilogue