Modern Theatre in Russia : Tradition building and transmission processes / Dr Stefan Aquilina.

Av: Språk: Engelska Utgivning: Methuen Drama, 2020Utgivningstid: ©2020Beskrivning: ix, 229 sidor Illustrationer (s/v)Innehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781350066083
Ämne: DDK-klassifikation:
  • 792.0947 23/swe
SAB-klassifikation:
  • Ikb-m
Onlineresurser:
Innehåll:
List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Stanislavsky: Renewing Tradition through Transmission -- Chapter 3 Misinterpretation of Theatre Practice: Stanislavsky-Smyshlaev -- Chapter 4 Amateur and Proletarian Theatre in Post-Revolutionary Russia -- Chapter 5 Meyerhold: Bias in Transmission Processes -- Chapter 6 Lesser-known Names: Rediscovering Female Voices -- Bibliography -- Index
Sammanfattning: What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes???The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions.
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Bok Musik- och teaterbiblioteket Magasin A C17.340 Tillgänglig 26201852356
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Innehåller bibliografiska referenser samt index (sidorna 207-229)

List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Stanislavsky: Renewing Tradition through Transmission -- Chapter 3 Misinterpretation of Theatre Practice: Stanislavsky-Smyshlaev -- Chapter 4 Amateur and Proletarian Theatre in Post-Revolutionary Russia -- Chapter 5 Meyerhold: Bias in Transmission Processes -- Chapter 6 Lesser-known Names: Rediscovering Female Voices -- Bibliography -- Index

What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes???The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions.

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